September 14, 2007 – 3:10 pm
Source :
www.tehrantimes.com
... Experts have previously said that if the railroad, the embankment of which has been constructed at a distance of about 350 meters from Naqsh-e Rustam, were to become operational, train vibrations would eventually damage the monument and cause the destruction of Zoroaster’s Kaba within less than ten years. ...
Vibrations caused by passing trains are likely to broaden existing cracks in the tomb of Xerxes I and result in its collapse if a nearby railway route becomes operational, archaeologist Mohammad-Taqi Ataii said during a seminar at the University Of Tehran (UT) on September 11. Read More »
Source :
www.mehrnews.ir
... Experts have said that if the railroad were to become operational, train vibrations would eventually damage the Naqsh-e Rustam monument and would cause the destruction of Zoroaster’s Kaba in less than ten years. ...
![[Post Image]](http://www.mehrnews.ir/mehr_media/image/2005/07/139261_orig.jpg)
Parseh and Pasargadae Research Foundation Director Mohammad-Hassan Talebian denied that there had been any court ruling against the efforts of the Cultural Heritage, Tourism, and Handicrafts Organization (CHTHO) to force the diversion of a railway route that would pass precariously close to the Achaemenid site of Naqsh-e Rustam in Fars Province. Read More »
Source :
www.chnpress.com By : Maryam Tabeshian
![[Post Image]](http://heritage.chn.ir/en/manage/photo/7030-30455.JPG)
For the third time in the past few months, part of the Achaemenid Persepolis palace complex is destroyed by film crews.
While shooting a movie at Tacher, a palace belonging to the Achaemenid King Darius the Great (549-486 BC) in Persepolis, the crew poured a red liquid on the stone pavements of the palace’s southeastern courtyard to make special effects. Smoke was also added to the effects shots which further destroyed the courtyard. Since the substance was made of chemicals, it is said that removing it would be a hard job.
The movie is directed by the renowned Iranian movie director Tahmineh Milani who obtained permission for shooting her movie at Persepolis from Iran’s Cultural Heritage and Tourism Organization and its provincial department in Fars. She started her work at Persepolis with a team of 20 people and a dozen children. Ironically, the children who were to play in the movie cautioned Milani about spraying paint on the floor, but according to an eye-witness, they were treated “unpleasantly” in return. Read More »